Books (authored, co-authored, edited, co-edited, chapter contributor)

The Bloomsbury Handbook of Rock Music Research
Edited by Allan Moore and Paul Carr
Bloomsbury Academic, 2020, 656pp.
Stan Hawkins: ‘Personas in Rock: “We Will, We Will Rock You”‘
(Chapter 16, pp. 239-254)

The Bloomsbury Handbook of Popular Music and Social Class
Edited by Ian Peddie
Bloomsbury Academic, 2020, 616pp.
ISBN 978-1501345388
Stan Hawkins and Nina Nielsen: ‘Music, Class, and Gender. Gaahl-Monster or Postmodern Prometheus?: Masculinity, Class, and Norwegian Black Metal’
(Chapter 9, pp. 185-204)

The Bloomsbury Handbook of Popular Music Video Analysis
Edited by Lori Burns and Stan Hawkins
Bloomsbury Academic, 2019, 576pp.
ISBN 978-1501342332

The Pop Palimpsest: Intertextuality in Recorded Popular Music
Edited by Lori Burns and Serge Lacasse
University of Michigan Press, 2018, 360pp.
ISBN 978-0-472-13067-2
Stan Hawkins: ‘Performative Strategies and Musical Markers in the Eurythmics’ Album Savage
(Chapter 9, pp. 252–270)

The Routledge Companion to Popular Music and Gender
Stan Hawkins (editor)
New York: Routledge, 2017, 382pp.
ISBN 978-1-4724-5683-0

Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality
Stan Hawkins
New York: Routledge, 2016, 243pp.
ISBN 978-1-138-82087-6

Musikk etter 22. juli
Edited by Knudsen, Skånland and Trondalen
Oslo: Norges musikkhøgskole, Skriftserie fra Senter for musikk og helse, 2014.
ISSN 1893-3580
Karl-Magnus Bjorøy & Stan Hawkins: “When Light turns into darkness:” Inscriptions of music and terror in Oslo 22 July 2011″ (Chapter 7, pp. 139-162)

Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture
Edited by Martin Iddon and Melanie L. Marshall
London: Routledge, 2014, 302pp.
ISBN 978-0-415-82452-1
Stan Hawkins: ‘I’ll Bring You Down, Down, Down’: Lady Gaga’s Performance in ‘Judas’ (Chapter 1, pp. 9-26)

The Oxford Handbook of New Audiovisual Aesthetics
Edited by J. Richardson, C. Gorbman & C. Vernallis
Oxford: Oxford University Press, 2013, 720pp.
ISBN: 978 0199733866
Stan Hawkins: ‘Aesthetics and Hyperembodiment in Pop Videos: Rihanna’s “Umbrella” (Chapter 26, pp. 466-482)

Critical Musicological Reflections
Stan Hawkins (editor)
Farnham: Ashgate, 2012, 282 pp.
ISBN 978-1-4094-2560-1

Prince: The Making of a Pop Music Phenomenon
Stan Hawkins & Sarah Niblock
Farnham: Ashgate, 2011, 195 pp.
ISBN 978-0-7546-68763

Pop Music and Easy Listening
Stan Hawkins (editor)
Farnham: Ashgate, 2011, 523 pp.
ISBN 978-0-7546-29528

Morrissey: Fandom, Representations and Identities
Edited by E. Devereux, A. Dillane & M. Power
Bristol: Intellect, 2011, 342 pp.
ISBN 978-1-84150-417-9
Stan Hawkins: ‘You Have Killed Me’ – Tropes of Hyperbole and Sentimentality in Morrissey’s Musical Expression (Chapter 17, pp. 307-323)

The British Pop Dandy: Masculinity, Popular Music and Culture
Stan Hawkins
Aldershot: Ashgate, 2009, 240 pp.
ISBN 978-0-7546-5858-0

Settling the Pop Score: Pop texts and Identity Politics
Stan Hawkins
Aldershot: Ashgate, 2002, 220 pp.
ISBN 0-7546-0352-0

Britpop and the English Music Tradition
Edited by Andy Bennett and Jon Stratton
Aldershot: Ashgate, 2010, 242 pp.
ISBN 978-0-7546-6805-3
Stan Hawkins: ‘Unsettling Differences:Music and Laddism in Britpop’ (Chapter 9, pp. 145-163)

Music, Space and Place: Popular Music and Cultural Identity
Sheila Whiteley, Andy Bennett & Stan Hawkins (editors)
Aldershot: Ashgate, 2004, 224 pp.
ISBN 0-7546-3737-9

Essays on Sound and Vision
John Richardson & Stan Hawkins (editors)
Helsinki University Press, 2007, 452 pp.
ISBN 978-951-570-726-0

The Ashgate Research Companion to Popular Musicology
Edited by Derek B. Scott
Farnham: Ashgate, 2009, 557 pp.
ISBN 978-0-7546-6476-5
Stan Hawkins: ‘Chelsea Rodgers was a Model – Vocality in Prince of the Twenty-first Century’ (Chapter 17, pp. 335-348)

Musicological Identities: Essays in Honor of Susan McClary
Edited by Steven Baur, Raymond Knapp, and Jacqueline Warwick
Aldershot: Ashgate, 2008, 264 pp.
ISBN 978-0-7546-6302-7
Stan Hawkins: ‘Temporal Turntables: On Temporality and Corporeality in Dance Culture’ (Chapter 9, pp. 121-133)

Oh Boy! Masculinities and Popular Music
Edited by Freya Jarmen-Ivens
London: Routledge, 2007, 304 pp.
ISBN 978-041-597-821-7
Stan Hawkins: ‘[Un]Justified: Gestures of straight-talk in Justin Timberlake’s songs’ (Chapter 10, pp. 197-212)

Music, National Identity and the Politics of Location: Between the Global and the Local
Edited by Ian Biddle and Vanessa Knights
Aldershot: Ashgate, 2007, 251 pp.
ISBN 978-0-7546-4055-4
Stan Hawkins: ‘Those Norwegians: Deconstructing the Nation-State in Europe through Fixity and Indifference in Norwegian Club Music’ (Chapter 9, pp. 179-189

Edited by Thomas Hylland Eriksen & Jan-Kåre Breivik
Oslo: Universitetsforlaget, 2006, 333pp.
ISBN 978-82-15-01062-5
Stan Hawkins: ‘Normalitet og musikk i norsk reklame i 2006’ (Chapter 10, pp. 253-274)

Queering the Popular Pitch
Edited by Sheila Whiteley & Jennifer Rycenga
New York: Routledge, 2006, 308pp.
ISBN 0-415-97805-X
Stan Hawkins: ‘On Male Queering in Mainstream Pop’ (Chapter 18, pp.279-294)

Madonna’s Drowned Worlds: New Approaches to her Cultural Transformations, 1983-2003
Edited by Santiago Fouz-Hernández & Freya Jarman-Ives
Aldershot: Ashgate, 2004, 223pp.
ISBN 0-7546-3371-3
Stan Hawkins: ‘Dragging out camp: narrative agendas in Madonna’s musical production'(Chapter 2, pp. 3-21)

Analyzing Popular Music
Edited by Allan F. Moore
Cambridge University Press, 2003, 270pp.
ISBN 0-521-77120-X
Stan Hawkins: ‘Feel the beat come down: house music as rhetoric’ (Chapter 5, pp. 80-102)

Reading Pop: Approaches to Textual Analysis in Popular Music
Edited by Richard Middleton
Oxford University Press, 2000, 388pp.
ISBN 0-19-816611-7
Stan Hawkins: ‘Prince: Harmonic Analysis of ‘Anna Stesia” (Chapter 2, pp. 58-70)

Sexing the Groove: Popular Music and Gender
Edited by Sheila Whiteley
London: Routledge, 1997, 353pp.
ISBN 0-415-14670-4
Stan Hawkins: ‘The Pet Shop Boys: Musicology, masculinity and banality’ (Chapter 7, pp. 118-133)