Traveling Music Videos
Edited by Tomáš Jirsa and Mathias BondeKorsgaard
Bloomsbury Academic, 2023
Zack Bresler, Stan Hawkins and Lisa Karolyn Holte: ‘Lil Nas X’s Hedonistic Travels of Earthly Delights’
(Chapter 9, pp. 153–168)

Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks
Edited by William Moylan, Lori Burns, Mike Alleyne
Routledge, 2022, 466pp.
Stan Hawkins and Zack Bresler: ‘Masking: Queer Aesthetics and Production Tricks in Orville Peck’s “Hope to Die” (2019)’ (Chapter 20)

The Bloomsbury Handbook of Rock Music Research
Edited by Allan Moore and Paul Carr
Bloomsbury Academic, 2020, 656pp.
Stan Hawkins: ‘Personas in Rock: “We Will, We Will Rock You”‘
(Chapter 16, pp. 239-254)

The Bloomsbury Handbook of Popular Music and Social Class
Edited by Ian Peddie
Bloomsbury Academic, 2020, 616pp.
ISBN 978-1501345388
Stan Hawkins and Nina Nielsen: ‘Music, Class, and Gender. Gaahl-Monster or Postmodern Prometheus?: Masculinity, Class, and Norwegian Black Metal’
(Chapter 9, pp. 185-204)

The Bloomsbury Handbook of Popular Music Video Analysis
Edited by Lori Burns and Stan Hawkins
Bloomsbury Academic, 2019, 576pp.
ISBN 978-1501342332

The Pop Palimpsest: Intertextuality in Recorded Popular Music
Edited by Lori Burns and Serge Lacasse
University of Michigan Press, 2018, 360pp.
ISBN 978-0-472-13067-2
Stan Hawkins: ‘Performative Strategies and Musical Markers in the Eurythmics’ Album Savage
(Chapter 9, pp. 252–270)

The Routledge Companion to Popular Music and Gender
Edited by Stan Hawkins
New York: Routledge, 2017, 382pp.
ISBN 978-1-4724-5683-0

The Oxford Handbook of Popular Music in the Nordic Countries
Edited by Fabian Holt and Antti-Ville Kärjä
Oxford: Oxford University Press, 2017, 432pp.
ISBN: 978-0190603908
Stan Hawkins: ‘Masculinity, Race, and Transculturalism in a Norwegian Context’
(Chapter 15, pp. 295–310)

Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality
Stan Hawkins
New York: Routledge, 2016, 243pp.
ISBN 978-1-138-82087-6

Musikk etter 22. juli
Edited by Knudsen, Skånland and Trondalen
Oslo: Norges musikkhøgskole, Skriftserie fra Senter for musikk og helse, 2014.
ISSN 1893-3580
Karl-Magnus Bjorøy & Stan Hawkins: “When Light turns into darkness:” Inscriptions of music and terror in Oslo 22 July 2011″ (Chapter 7, pp. 139-162)

Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture
Edited by Martin Iddon and Melanie L. Marshall
London: Routledge, 2014, 302pp.
ISBN 978-0-415-82452-1
Stan Hawkins: ‘I’ll Bring You Down, Down, Down’: Lady Gaga’s Performance in ‘Judas’ (Chapter 1, pp. 9-26)

The Oxford Handbook of New Audiovisual Aesthetics
Edited by J. Richardson, C. Gorbman & C. Vernallis
Oxford: Oxford University Press, 2013, 720pp.
ISBN: 978 0199733866
Stan Hawkins: ‘Aesthetics and Hyperembodiment in Pop Videos: Rihanna’s “Umbrella” (Chapter 26, pp. 466-482)

Critical Musicological Reflections: Essays in Honour of Derek B. Scott
Edited by Stan Hawkins
Farnham: Ashgate, 2012, 282 pp.
ISBN 978-1-4094-2560-1

Prince: The Making of a Pop Music Phenomenon
Stan Hawkins & Sarah Niblock
Farnham: Ashgate, 2011, 195 pp.
ISBN 978-0-7546-68763

Pop Music and Easy Listening
Edited by Stan Hawkins
Farnham: Ashgate, 2011, 523 pp.
ISBN 978-0-7546-29528

Morrissey: Fandom, Representations and Identities
Edited by E. Devereux, A. Dillane & M. Power
Bristol: Intellect, 2011, 342 pp.
ISBN 978-1-84150-417-9
Stan Hawkins: ‘You Have Killed Me’ – Tropes of Hyperbole and Sentimentality in Morrissey’s Musical Expression (Chapter 17, pp. 307-323)

The British Pop Dandy: Masculinity, Popular Music and Culture
Stan Hawkins
Aldershot: Ashgate, 2009, 240 pp.
ISBN 978-0-7546-5858-0

Settling the Pop Score: Pop texts and Identity Politics
Stan Hawkins
Aldershot: Ashgate, 2002, 220 pp.
ISBN 0-7546-0352-0

Britpop and the English Music Tradition
Edited by Andy Bennett and Jon Stratton
Aldershot: Ashgate, 2010, 242 pp.
ISBN 978-0-7546-6805-3
Stan Hawkins: ‘Unsettling Differences:Music and Laddism in Britpop’ (Chapter 9, pp. 145-163)

Music, Space and Place: Popular Music and Cultural Identity
Edited by Sheila Whiteley, Andy Bennett & Stan Hawkins
Aldershot: Ashgate, 2004, 224 pp.
ISBN 0-7546-3737-9

Essays on Sound and Vision
Edited by John Richardson & Stan Hawkins
Helsinki University Press, 2007, 452 pp.
ISBN 978-951-570-726-0

The Ashgate Research Companion to Popular Musicology
Edited by Derek B. Scott
Farnham: Ashgate, 2009, 557 pp.
ISBN 978-0-7546-6476-5
Stan Hawkins: ‘Chelsea Rodgers was a Model – Vocality in Prince of the Twenty-first Century’ (Chapter 17, pp. 335-348)

Musicological Identities: Essays in Honor of Susan McClary
Edited by Steven Baur, Raymond Knapp, and Jacqueline Warwick
Aldershot: Ashgate, 2008, 264 pp.
ISBN 978-0-7546-6302-7
Stan Hawkins: ‘Temporal Turntables: On Temporality and Corporeality in Dance Culture’ (Chapter 9, pp. 121-133)

Oh Boy! Masculinities and Popular Music
Edited by Freya Jarmen-Ivens
London: Routledge, 2007, 304 pp.
ISBN 978-041-597-821-7
Stan Hawkins: ‘[Un]Justified: Gestures of straight-talk in Justin Timberlake’s songs’ (Chapter 10, pp. 197-212)

Music, National Identity and the Politics of Location: Between the Global and the Local
Edited by Ian Biddle and Vanessa Knights
Aldershot: Ashgate, 2007, 251 pp.
ISBN 978-0-7546-4055-4
Stan Hawkins: ‘Those Norwegians: Deconstructing the Nation-State in Europe through Fixity and Indifference in Norwegian Club Music’ (Chapter 9, pp. 179-189

Edited by Thomas Hylland Eriksen & Jan-Kåre Breivik
Oslo: Universitetsforlaget, 2006, 333pp.
ISBN 978-82-15-01062-5
Stan Hawkins: ‘Normalitet og musikk i norsk reklame i 2006’ (Chapter 10, pp. 253-274)

Queering the Popular Pitch
Edited by Sheila Whiteley & Jennifer Rycenga
New York: Routledge, 2006, 308pp.
ISBN 0-415-97805-X
Stan Hawkins: ‘On Male Queering in Mainstream Pop’ (Chapter 18, pp.279-294)

Madonna’s Drowned Worlds: New Approaches to her Cultural Transformations, 1983-2003
Edited by Santiago Fouz-Hernández & Freya Jarman-Ives
Aldershot: Ashgate, 2004, 223pp.
ISBN 0-7546-3371-3
Stan Hawkins: ‘Dragging out camp: narrative agendas in Madonna’s musical production'(Chapter 2, pp. 3-21)

Analyzing Popular Music
Edited by Allan F. Moore
Cambridge University Press, 2003, 270pp.
ISBN 0-521-77120-X
Stan Hawkins: ‘Feel the beat come down: house music as rhetoric’ (Chapter 5, pp. 80-102)

Reading Pop: Approaches to Textual Analysis in Popular Music
Edited by Richard Middleton
Oxford University Press, 2000, 388pp.
ISBN 0-19-816611-7
Stan Hawkins: ‘Prince: Harmonic Analysis of ‘Anna Stesia” (Chapter 2, pp. 58-70)

Sexing the Groove: Popular Music and Gender
Edited by Sheila Whiteley
London: Routledge, 1997, 353pp.
ISBN 0-415-14670-4
Stan Hawkins: ‘The Pet Shop Boys: Musicology, masculinity and banality’ (Chapter 7, pp. 118-133)